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1886 |
Fritz Wilhelm Winold Reiss is born in Karlsruhe,
Germany on September 16th. |
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1910 |
Travels to Munich; attends Academy of Fine
Arts and the School of Applied Arts. |
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1912 |
Marries Henriette Anna Lüthy on September
7th in Munich. |
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1913 |
Immigrates to the United States; arrives
October 29th and settles in New York City. |
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December 27th: Son Winold Tjark ("Boykie")
is born. |
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1914 |
Studio located at 96 Fifth Avenue. |
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First book wrap and cover designs for Scribner's.
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Active with the "The Crafts and Art
Studio". |
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1915 |
Lectures at the Art Students League, New
York City. |
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Co-founds the "Society of Modern Art",
publishers of the magazine Modern Art Collector.
Designs and illustrates the first issues of Modern
Art Collector. |
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Begins Winold Reiss Art School, 96 Fifth
Avenue, New York City. |
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Does interior design of Busy Lady Bakery,
New York City. |
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1916 |
Illustrates The Making of a Steinway
by Ralph I. Bartholomew, New York City |
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Holds Winold Reiss Art School in Woodstock,
New York during summer. |
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Teaches at New York School of Applied Design
for Women. |
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1917 |
Establishes studio at 4 Christopher Street. |
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Teaches at New York School of Applied Design
for Women. |
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1919 |
Teaches at New York School of Applied Design
for Women. |
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Does interior design of Crillon restaurant,
New York City. |
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Holds Winold Reiss Art School in Woodstock,
New York during summer. |
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1920 |
Early January: First trip west, with student,
W. Langdon Kihn. Spends approximately two weeks in Browning,
Montana producing ca. thirty-six portraits of Blackfeet
Indians. Travels to San Francisco, Los Angeles, Santa
Fe and Taos; also visits Grand Canyon. |
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March: Solo exhibition of his Indian portraits,
E.F. Hanfstaengl Galleries, New York. All works purchased
by Dr. Philip Cole. |
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Early October: Goes on six-week trip to
Mexico; produces more than forty portraits and imaginative
drawings. |
|
1921 |
Completes theatre and lobby murals in Holabird
& Root's new Apollo Theatre, Chicago; also South Sea
Ballroom murals at Hotel Sherman, Chicago. |
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Three Reiss pictures illustrate "Draughtsmanship
and Racial Types: Mexican Character Studies by Winold
Reiss" by M.D.C. Crawford, Arts and Decoration. |
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Shows 51 works at the Chicago Art Institute
(drawings, paintings, woodcuts, batiks). |
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1921-22 |
September to May: Goes to Europe (takes
his young son along.) Travels in Holland, Germany, Switzerland,
Sweden, Czechoslovakia. Produces portraits of nineteen
Oberammergau Passion Players, seventeen Swedish peasants,
and thirty-eight Black Forest types. |
|
1922 |
Three of Reiss's Mexican pictures illustrate
"Where Presidents Have No Friends" by Katherine
Anne Porter, Century Magazine. |
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Shows 136 portraits, including German, Swedish,
and Mexican pictures, along with woodcuts and decorations,
at Anderson Galleries exhibition in New York City, accompanied
by catalogue Drawings by Winold Reiss. |
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1923 |
Winold and Henriette Reiss divorce. |
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April 18th: Hans Reiss, a sculptor, joins
his brother Winold in New York City. |
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Woodblock print portfolio Months of the
Year published by Albert & Charles Boni, New York. |
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Completes design commissions for Hotel Alamac,
New York City (including Grill Room, Congo Roof, Main
Dining Room; murals and five-metal panels.) |
|
1924 |
Brothers-in-arms at Zapata's Headquarters
illustrates "Bandit Colonies" by Robert Haberman,
and three portraits and a drawing of Cuernavaca illustrate
"Mexican Types" by Reiss, Survey Graphic. |
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Conducts Winold Reiss Art School summer
session in Woodstock, New York. |
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Teaches at New York School of Applied Design
for Women. |
|
1925 |
Illustrates cover and produces Opportunity;
issue also contains editorial "The Art of Winold
Reiss." |
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Cover design, five imaginatives, and thirteen
portraits by Reiss illustrate Survey Graphic special
issue, "Harlem: Mecca of the New Negro." |
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Shows thirty-seven African American portraits
and imaginatives in solo "Exhibition of Recent Portraits
of Representative Negroes," at the 135th Street Harlem
Branch, New York Public Library. |
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Cover, imaginative designs, and seventeen
portraits by Reiss illustrate The New Negro: An Interpretation,
edited by Alain Locke. |
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Completes interior design of Restaurant
Robert, [33 West 55th Street,] and of Theodore Weicker
apartment, [1115 Fifth Avenue,] New York City. |
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Teaches at New York School of Applied Design
for Women. |
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1926 |
Reiss portrait illustrates "Nana Amoah"
by Alain Locke, Survey Graphic. |
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Cover and five portraits by Reiss illustrate
special Asian number of Survey Graphic, "East
by West: Our Windows on the Pacific." |
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Teaches at New York School of Applied Design
for Women. |
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1927 |
Moves studio to 108 West 16th Street. |
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Portrait of Langston
Hughes illustrates review of The Weary Blues,
Hughes's first book of poetry, New York World. |
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Trip to Glacier Park and Browning, Montana,
and to Alberta, Canada, under auspices of Great Northern
Railway. All fifty-two portraits done on this trip purchased
by Louis Hill, the president of Great Northern. |
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Takes study trip to Penn Community School,
St. Helena Island, South Carolina; produces approximately
sixteen portraits. |
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Completes Palmer House Bar murals, Chicago (Holabird
& Roche, architects). |
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Teaches at New York School of Applied Design
for Women. |
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1928 |
Shows fifty-one works from the Louis Hill
Collection of his Blackfeet portraits in solo exhibition,
Belmaison Galleries in John Wanamaker's, New York City. |
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Shows twenty-six works from Hill Collection
in group exhibition of paintings, sculpture, and drawings
by American and European artists, Brooklyn Museum. |
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Trip to Glacier Park and Browning, Montana
under auspices of Great Northern, to draw Blackfeet Indians. |
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Teaches at New York School of Applied Design
for Women. |
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Shows five portraits in annual group exhibition,
Pennsylvania Academy of the Fine Arts, Philadelphia. |
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Designs "Daughter's Room" for
group modern design exhibition, American Designer's Gallery,
New York City. Reiss a founder of ADG. |
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Completes Shellball Apartments lobby and
reception areas, Kew Gardens. |
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Shows fifty-one works from Hill Collection
in solo exhibition, Art Institute of Chicago. |
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Does interior design of the Tavern Club,
Chicago, in Holabird & Root's 333 No. Michigan Ave.
building. |
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1929 |
Five portraits illustrate "Winold Reiss
Paints the Northern Indians," Survey Graphic. |
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Designs "Living Room" for second
exhibition of the American Designer's Gallery, New York
City. |
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Teaches at New York School of Applied Design
for Women. |
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Shows eighty works (including the original
fifty-one) from Hill Collection at Museum of Science,
Buffalo, New York. |
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Shows at least nineteen portraits from Hill
collection at Glaspalast, Munich. Paintings also shown
in Hamburg and in Italy and France. |
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Completes designs for Shellball Apartments,
Talbot Street at Lefferts Blvd., Kew Gardens, Queens,
New York. |
|
1930 |
Shows Blackfeet Indian and Portrait in annual
group show, Art Institute of Chicago. |
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Shows Hill Collection at Cleveland Public
Library; sponsored by Women's National League for Justice
to Indians. |
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Completes designs for the Grand Ballroom,
banquet rooms, restaurants, and special purpose rooms
serving Emery Roth's new tower addition to Brooklyn's
Hotel St. George, now New York's largest hotel. |
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Designs Walden Book Shop, Chicago, in Holabird
& Root's Michigan Square building. |
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Shows six portraits, including Miss
Helen Coolidge and Isamu
Noguchi, in group exhibition, Pennsylvania Academy
of the Fine Arts, Philadelphia. |
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Seven plates of portraits of Blackfeet Indians
in The Sun God's Children by James Willard Schultz
and Jessie Louise Donaldson. |
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Completes interior designs for Rumpelmayer's
at the Hotel St. Moritz on Central Park South; and for
the Café Bonaparte in Raymond Hood and Kenneth
Murchison's Beaux-Arts Apartments, New York City. |
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1931 |
Begins to solicit funding for the Indian
Monument Museum. |
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Completes interior design for Café
Caprice, [1 University Place,] New York City. |
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Conducts Winold Reiss Summer School at Glacier
Park. |
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Shows eighty works from Hill Collection
in solo exhibition, Los Angeles Museum. |
|
1932 |
Work illustrated in Architectural Forum. |
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Juniper Buffalo
Bull, Little Young Man and others illustrated in
Chicago Visitor. |
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1933 |
Completes interior mosaics for Cincinnati
Union (Train) Terminal. |
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"Cartoons, Drawings and Designs by
Winold Reiss for the Mosaics in the New Cincinnati Union
Terminal" exhibition, Cincinnati Art Museum. |
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Appointed assistant professor of mural painting
at New York University. Also elected member of the school's
Institute of Fine Arts Advisory Committee. Teaches there
until 1941. |
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James Weldon Johnson
illustrated in New York Herald Tribune Books. |
|
1934 |
Shows eighty works from Hill Collection
in solo exhibition, Minneapolis Institute of Arts. |
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Conducts Winold Reiss Summer School at Glacier
Park, Montana. |
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Completes murals for Steuben Tavern, Broadway
and 42nd Street, New York City (Simon Zelnik, architect.) |
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1935 |
Home Gun, Shot
Both Sides, Plume, Long Time Pipe Woman, Nenauaki-Mrs.
Joe Devine, Many Horses, Little Rosebud and Baby, Scalping
Woman, Tough Bread, Cut Nose Woman, Good Striker,
and others (forty-nine plates) illustrated in Blackfeet
Indians: Pictures by Winold Reiss. Story by Frank
Linderman, published by Great Northern Railway. |
|
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Shows Mike Short
Man, Theodore Last Star, and
Cecile Black Boy at Marshall Field, Chicago, to
promote Reiss-Linderman book. Mike Short Man and Theodore
Last Star attended. |
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Designs interiors of two new Restaurant
Longchamps: in the Chanin Building (Louis XV murals),
and at 59th Street and Madison Avenue (first complete
design of a New York restaurant based on Indian portraits
and design motifs.) |
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Conducts Winold Reiss Summer School at Glacier
Park, Montana. |
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1936 |
Shows fifty Indian portraits in Europe.
Tour, organized by Tjark Reiss, begins at Künstlerhaus,
Vienna, and goes to Bratislava, Czechoslovakia; Budapest;
Hungary; Berlin, Cologne, Stuttgart and Freiburg, Germany. |
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Designs interiors and produces murals for
new Restaurants Longchamps, at Broadway and 41st Street,
and at 12th Street and Fifth Avenue, New York City. |
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Shows Indian Portraits and other works in
solo exhibition, Faulkner Memorial Art Gallery, Santa
Barbara, California. |
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Reiss's mosaics illustrate "Cincinnati
at Work" Survey Graphic. |
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Conducts Winold Reiss Summer School, Glacier
Park, Montana. |
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1937 |
Shows Sundance,
Hairy Coat, and Shell
Woman at New York Public Library. |
|
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Conducts Winold Reiss Summer School, Glacier
Park, Montana. |
|
1938 |
"A Portfolio of Indian Portraits"
illustrated in Scribner's. |
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Tjark Reiss returns from studying with Peter
Behrens in Vienna and joins father's studio. |
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Begins work on the exterior of the Theatre
and Concert Building for World's Fair in New York City. |
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Completes interior design and murals for
two new Restaurants Longchamps: at 253 Broadway (opposite
City Hall), and at 79th Street and Madison Avenue, New
York City. |
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Completes interior design and Mexican mural
for "The Patio" Restaurant at Hess Department
Store, Allentown, Pennsylvania |
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1939 |
Designs façade and interior for Music
Hall (Reinhard and Hofmeister, architects) and paints
mural for Montgomery doughnuts concession, 1939 New York
World's Fair. |
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Completes interior design and American theme murals for Lindy's Broadway Restaurant, New York City. |
|
1940 |
Publication of Indian Legends: Piegan
Indian Legends of Rock and Crow Woman as told to Beaver
Child [Winold Reiss] by Chief Little Dog, Grinnell
Lithographic Co. |
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Moves studio to 266 West 12th Street. |
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Tjark Reiss enters U.S. Army in Corps of
Engineers. |
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1941 |
Cover design, Survey Graphic. |
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Completes commissions for Yorktowne Hotel,
Yorktown, Pennsylvania; Oyster Bar, Hotel Lincoln, Springfield,
Illinois; Hotel President, Kansas City, Missouri. |
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Shows twenty-one portraits with his brother,
Hans, who shows six sculptures, Montclair Art Museum. |
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Hans Reiss moves to Lake Tahoe, Nevada. |
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1942 |
Cover design for Survey Graphic special
issue, "Color: The Unfinished Business of Democracy,"
edited by Alain Locke. |
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Moves studio to 230 West 13th Street. |
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1943 |
Takes a study trip to Glacier Park, Montana;
completes sixty-six portraits of Blackfeet Indians. |
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1944 |
Completes interior design and murals for
Tropical Gardens Restaurant, |
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Takes study trip with Carl Link to draw
Indians at Rocky Boy Agency, Box Elder, Montana. |
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1945 |
Completes interior designs of Mike Lyman's
Grill, Los Angeles and St. James Restaurant, New York
City. |
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Tjark Reiss returns from military service,
and rejoins studio. |
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1946 |
Purchases Chinese bank building in Carson
City, Nevada, as retirement home and studio. |
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Completes mosaic murals for Woolaroc Museum
entrance, Bartlesville , Oklahoma |
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Completes interior design and murals for
Tropical Gardens Restaurant, New York City |
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Takes study trip to Muskogee, Oklahoma,
with fellow artist Acee Blue Eagle. |
|
1947 |
Shows Indian portraits in solo exhibition,
Arizona State Museum, Tucson.
Arizona State Museum show travels to Southwest Museum,
Los Angeles and The Heard Museum, Phoenix. |
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Shows twenty-one Indian portraits in solo
exhibition, Philbrook Art Center, Tulsa, Oklahoma. |
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Shows Indian portraits in solo exhibition,
University of Arizona, Tucson. |
|
1948 |
Takes last study trip to Glacier Park, Montana,
to draw Blackfeet Indians. |
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Floyd Middle Rider
illustrated on cover, National Future Farmer Magazine. |
|
1949 |
Completes interior design, murals, and portraits for
Indian Room in Chic-N-Coop restaurant, Montreal, Canada. |
|
1950 |
Completes interior design, murals and stained
glass panels for Restaurant Longchamps at Manhattan House
(Third Avenue and 63rd Street), New York City. |
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1951 |
Completes interior design and Grand Canyon
mural for Santa Fe Railroad Ticket Office in Kansas City,
Missouri. |
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Suffers stroke in New York City. |
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On recommendation of former student Aaron
Douglas, donates Harlem and St. Helena portraits to Fisk
University, Nashville, Tennessee. |
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1952 |
Completes interior design and murals for
Restaurant Longchamps, Washington, D.C. |
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Suffers second stroke, which leaves him
paralyzed. |
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1953 |
Dies on August 29th in New York City. |
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1954 |
Blackfeet Indians scatter Winold Reiss's
ashes in Montana. |
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